SHRINE OF ECHOES - 2001
1. First of all, can you give us you general impressions concerning this
new opus?
Protector:
We see "Let Mortal Heroes Sing Your Fame" as the combination of the
strength of our last album "Stronghold" and the strength of the older
CDs. On "Stronghold" we focused more on the guitars again. We wanted
to create real guitar riffs and not use the guitars as a pure accompaniment
to the keyboards. We achieved this aim, but the side effect was that the keyboards
became very subordinate. On "Let Mortal Heroes Sing Your Fame" we
kept the more complex guitar style and also gave the keyboards more dominance
and created much more polyphonic tunes and harmonies again.
2. What does the title "Let Mortal Heroes Sing Your Fame" means
to you?
Silenius:
For me the title is an ironic homage to Tolkien. It means that we are the heroes
who sing about Tolkiens fame. But while this fame increases from year to year
ours will surely stay quite small and maybe fade (after a potential band split).
So we are the mortal heroes.
3. So, it appears to be another journey through Tolkien's kingdom. Tell
us about your "The Lord of The Rings" inspiration that serves us once
again.
Silenius:
As I am fascinated of fantasy literature since my childhood, sooner of later
it was obvious that I came in contact with books of Tolkien and although I really
read tons of books of different authors the Tolkien created world is still the
best and most attractive one, and the leading part of the fantasy genre. I really
like the detailed history of a complete imagined world with all the different
languages populations and history of middle earth. No fantasy author before
and after him was able to create such a master piece and so we give our devotion
and tribute to this man in making a kind of musical translation of all the different
moods and atmospheres of this world.
4. Did you see "The fellowship of the ring" on screen? If yes,
did you find some similarities between the images of the movie and those created
by Summoning's music over the years?
Silenius:
I really liked the movie of course there are always things that could be complained
or don't come along with the own imagination of the book. But all in all I think
this movie translation couldn't have done better; the only thing I was surprised
comparing the movie with the old book was that a really great battle was missing,
but I think that makes the watcher only curious to watch the next part.
It is important for me to say that Summonings music is not basically inspired
by any characters or stories from Tolkien's books. What we wanted to create
with our music is a musical translation and connection to his mythological world
in general, and in this case I think what was very important in Tolkien's books
(wide opened landscapes, giant castles, towers and halls). All of this was translated
very excellent in the movie and of course fit in some ways with our own imagination,
because I think all of this was influenced very close to the Tolkien paintings
of Tim White, which we always admired very much.
5. Now, can you tell us about the lyrics? Is there a reason why you never
include them in the booklet of your albums?
Silenius:
In times when we recorded Lugburz and Minas Morgul the lyrics partly were to
bad to publish them or they were taken directly from Tolkien poems so we didn't
put them in the inlay in fear of getting publishing troubles (the lyrics of
our first album simply got lost during the studio sessions). Later on we continued
not printing the lyrics in the booklet as a kind of tradition, but meanwhile
most of the lyrics have been put on our website or could be ordered directly
at my home address.
6. "Let Mortal..." is in the vein of it's predecessors. Can
you tell us about Summoning's secret kingdom, the place where ideas breathe
the darkly enchanted imagination to create a song?
Protector:
Sorry, but my "secret kingdom" is far not as romantic as some fans
might imagine. It my own music studio, which is a tiny room, with black textiles
placed on the walls (in order to isolate me better from the rest of the world
while making music), and a music PC inside. In this room I get all my ideas,
record the guitars, keyboards and vocals, mix the music and finally burn a master
audio CD which I later bring to the CD printing factory.
7. Are you satisfied to be part of the actual Black Metal scene or do
you think that Summoning will always stands alone as a wolf among the sheeps?
Silenius:
I simply don't care about the current black metal scene and I even don't know
most of nowadays bands. First of all because the quality of the black metal
scene was getting worse many years ago, and second because my personal music
interests went to different directions some years ago. So you are quite right
when you say that Summoning stands somewhere alone; that is not because we want
to be outsiders in any way, but it is because we don't care about the present
metal scene at all and don't get any influences from it.
8. Finally, is there something different to expect from a forthcoming
release, or do you believe that Summoning's conceptual works of epic atmospheres
will steer in the same path 'til death?
Silenius:
You are right; that is the point. We will never change.
Protector:
There is not need for us to put so many new elements in the music of Summoning,
because we have both our other musical projects ("Ice Ages": www.iceages.info,
"Die Verbannten Kinder Evas": www.dvke.info, and "Kreuzweg Ost":
www.hollenthon.com/kwo) where we can live up all our other musical interest.
I think it is much more honest to keep our different musical interests in our
different projects, than to put them all together in the music of Summoning
(knowing that most fans will swallow them, because the name "Summoning"
stand for it).